George Jones on Apple Music. By most accounts, George Jones was the finest vocalist in the recorded history of country music. Initially, he was a hardcore honky tonker in the tradition of Hank Williams, but over the course of his career he developed an affecting, nuanced ballad style. Watch My Son, My Son, What Have Ye Done Putlocker# more.

In the course of his career, he never left the top of the country charts, even as he suffered innumerable personal and professional difficulties. Only Eddy Arnold had more Top Ten hits, and Jones always stayed closer to the roots of hardcore country. Jones was born and raised in East Texas, near the city of Beaumont. At an early age, he displayed an affection for music. He enjoyed the gospel he heard in church and on the family's Carter Family records, but he truly became fascinated with country music when his family bought a radio when he was seven. When he was nine, his father bought him his first guitar. Soon, his father had Jones playing and singing on the streets on Beaumont, earning spare change.

At 1. 6, he ran away to Jasper, Texas, where he sang at a local radio station. Jones married Dorothy, his first wife, in 1. The marriage collapsed within a year and he enlisted in the Marines at the end of 1. Though the U. S. was at war with Korea, Jones never served overseas - - he was stationed at a military camp in California, where he kept singing in bars. After he was discharged, Jones immediately began performing again.

In 1. 95. 3, Jones was discovered by record producer Pappy Daily, who was also the co- owner of Starday Records, a local Texas label. Impressed with Jones' potential, Daily signed the singer to Starday. No Money in This Deal," Jones' first single, was released in early 1. Starday released three more singles that year, which all were ignored. Jones released "Why, Baby, Why" late in the summer of 1. However, its momentum was halted by a cover version by Webb Pierce and Red Sovine that hit number one on the country charts.

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Jones was on the road to success and Daily secured the singer a spot on the Louisiana Hayride, where he was co- billed with Elvis Presley. Jones reached the Top Ten with regularity in 1. What Am I Worth" and "Just One More." That same year, Jones recorded some rockabilly singles under the name Thumper Jones which were unsuccessful, both commercially and artistically. In August, he joined the cast of the Grand Ole Opry and his first album appeared by the end of the year. In 1. 95. 7, Starday Records signed a distribution deal with Mercury Records and Jones' records began appearing under the Mercury label.

Daily began recording Jones in Nashville, and his first single for the new label, "Don't Stop the Music," was another Top Ten hit. Watch Monster Pies Online Fandango. Throughout 1. 95.

White Lightning," which spent five weeks at number one in the spring of 1. His next big hit arrived two years later, when the ballad "Tender Years" spent seven weeks at number one. Tender Years" displayed a smoother production and larger arrangement than his previous hits, and it pointed the way toward Jones' later success as a balladeer. In early 1. 96. 2, Jones reached number five with "Achin', Breakin' Heart," which would turn out to be his last hit for Mercury Records. Daily became a staff producer for United Artists Records in 1.

Jones followed him to the label. His first single for UA, "She Thinks I Still Care," was his third number one hit. In 1. 96. 3, Jones began performing and recording with Melba Montgomery.

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During the early '6. Jones and Montgomery's harmonies were raw and laden with bluegrass influences. Their first duet, "We Must Have Been out of Our Minds" (spring 1. The pair continued to record together throughout 1. Top Ten hit; they also reunited in 1.

Musicor. Jones had a number of solo hits in 1. The Race Is On" in the fall of 1. Under the direction of Daily, Jones moved to the new record label Musicor in 1. His first single for Musicor, "Things Have Gone to Pieces," was a Top Ten hit in the spring of 1. Between 1. 96. 5 and 1. Top Ten hits for Musicor.

While at Musicor, Jones recorded almost 3. During that time, he cut a number of first- rate songs, including country classics like "Love Bug," "Walk Through This World With Me," and "A Good Year for the Roses." He also recorded a fair share of mediocre material, and given the sheer amount of songs he sang, that isn't surprising. Although Jones made a couple of records that were genuine tributes or experiments, he also tried to fit into contemporary country styles, such as the Bakersfield sound. Not all of the attempts resulted in hits, but he consistently charted the Top Ten with his singles, if not with his albums.

Musicor wound up flooding the market with George Jones records for the rest of the '6. Jones' albums for Musicor tended to be arranged thematically, and only two, his 1. George Jones & Gene Pitney and 1.

I'll Share My World With You, charted. That meant that while Jones was one of the most popular and acclaimed singers in country music, there was still a surplus of material. Like his discography, Jones' personal life was spinning out of control. He was drinking heavily and began missing concerts. His second wife, Shirley, filed for divorce in 1.

Jones moved to Nashville, where he met Tammy Wynette, the most popular new female singer in country music. Soon, Jones and Wynette fell in love; they married on February 1. At the same time Jones married Wynette, tensions that had been building between Jones and longtime producer Daily culminated. Jones was unhappy with the sound of his Musicor records, and he placed most of the blame on Daily. After his marriage, Jones wanted to record with Wynette, but Musicor wouldn't allow him to appear on her label, Epic, and Epic wouldn't let her sing on a Musicor album. Furthermore, Epic wanted to lure Jones away from Musicor.

Jones was more than willing to leave, but he had to fulfill his contract before the company would let him go. While he continued recording material for Musicor, Epic entered contract negotiations with their rivals, and halfway through 1.

Jones severed ties with Musicor and Daily. He signed away all the rights to his Musicor recordings in the process. The label continued to release Jones albums for a couple of years, and they also licensed recordings to RCA, who released two singles and a series of budget- priced albums in the early '7. Jones signed with Epic Records in October of 1. It was the culmination of a busy year for Jones, one that saw him and Wynette becoming the biggest stars in country music, racking up a number of Top Ten hits as solo artists and selling out concerts across the country as a duo. Jones had successfully remade his image from a short- haired, crazed honky tonker to more relaxed, sensitive balladeer. At the end of the year, he cut his first records for Epic.

Jones' new record producer was Billy Sherrill, who had been responsible for Wynette's hit albums. Sherrill was known for his lush, string- laden productions and his precise, aggressive approach in the studio. Under his direction, musicians were there to obey his orders and that included the singers as well. Jones had been accustomed to the relaxed style of Daily, who was the polar opposite of Sherrill. As a result, the singer and producer were tense at first, but soon the pair developed a fruitful working relationship. With Sherrill, Jones became a full- fledged balladeer, sanding away the rough edges of his hardcore honky tonk roots."We Can Make It," his first solo single for Epic, was a celebration of Jones' marriage to Wynette, written by Sherrill and Glenn Sutton.

The song was a number two hit early in 1. Epic. "The Ceremony," Jones and Wynette's second duet, followed "We Can Make It," and also became a Top Ten hit.

Loving You Could Never Be Better," followed its predecessors into the Top Ten at the end of 1. By now, the couple's marriage was becoming a public soap opera, with their audience following each single as if they were news reports. Even though they were proclaiming their love through their music, the couple had begun to fight frequently.